2019
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Exhibitions

Cerith Wyn Evans

“....the Illuminating Gas”

Curated by Roberta Tenconi and Vicente Todolí / 31 October 2019 - 23 February 2020

Due to the large numbers of visitors, queues to Pirelli HangarBicocca shows may be expected. We apologize for any inconvenience.
Privileged access is guaranteed to Members and to participants to our scheduled guided tours. 


On Thursday 19 December, The Seven Heavenly Palaces are closed all day long. The temporary shows, the Bookshop and the Bistrot close at 5 PM (last admission at 4.15 PM).


Conceived as a harmonious composition of light, energy, and sound, “….the Illuminating Gas” is the largest-ever solo exhibition by Cerith Wyn Evans (Llanelli, Wales, UK, 1958; lives and works in London) and it presents a selection of twenty-four works—earlier sculptures, complex monumental installations, and new productions—offering visitors a unique synesthetic experience.
As of the 1990s, the artist abandoned film altogether, and concentrated on creating sculptures, installations, photographs, and site-specific or performative interventions, which are characterized by the use of ephemeral elements such as light and sound, as well as by the centrality of the temporal dimension in the experience of a work. Cerith Wyn Evans’s research focuses on language and perception, on the potential of the word and the communication, questioning our very notion of reality.
In their elegance and formal balance, his works draw on a complex body of references and quotations—from literature, music, philosophy, photography, poetry, art history, astronomy and science—that are declined into new forms through an articulate process of transformation. This operation takes place both through the use of textual materials that are decontextualized and translated into a language of light—for example, in the form of neon signs, fireworks or light pulses—and transposing into sculptures the imagery of earlier artists—such as Marcel Duchamp—or the movements of actors in Japanese Noh theatre, as in the series Neon Forms (after Noh) (2015-2019).
The exhibition includes a new configuration of Forms in Space…by Light (in Time) (2017), a work originally conceived for the Duveen Galleries of the Tate Britain in London, and StarStarStar/Steer (totransversephoton) (2019), made specifically for the occasion, opening the show and creating a choreography of lights and shadows that intermittently invades the space.
Internationally renowned institutions that have presented solo exhibitions by Cerith Wyn Evans include: Museo Tamayo, Mexico City (2018); Duveen Galleries, Tate Britain, London, Museum Haus Konstruktiv, Zurich (2017); Museion, Bolzano (2015); Serpentine Sackler Gallery, London (2014); Thyssen-Bornemisza Art Contemporary, Vienna (2013); Schinkel Pavilion, Berlin (2012); Wiener Staatsoper, Vienna, Kunsthall Bergen (2011); MUSAC, León (2008); Kunsthaus Gratz (2007); ICA – Institute of Contemporary Arts, London, ARC/Musée d’Art Moderne de la Ville de Paris (2006); MIT Visual Arts Centre, Boston (2004); Centre for Contemporary Art, Kitakyushu, Japan (1998).
His works have also been included in important collective exhibitions, including: 14th Lyon Biennale, Skulptur Projekte, Münster, 57th Venice Biennale (2017); 4th Moscow Biennial (2011); Aichi Triennale, Nagoya, 12th Venice Architecture Biennale (2010); 9th Istanbul Biennial (2005); Documenta 11, Kassel (2002).
In 2003 Cerith Wyn Evans represented Wales at the Venice Biennale, and participated in “Utopia Station.” He was awarded the Hepworth Prize for Sculpture in 2018.

Last admission to the exhibitions is at 9.15 PM


SAVE THE DATE
Public Program | Cerith Wyn Evans

Saturday 11 January 2020  
‘….fellow travellers’
6 PM: tour of the exhibition with Cerith Wyn Evans in conversation with Roberta Tenconi

8.30 PM: performative screening with new films by Cerith Wyn Evans and Steve Farrer

Sunday 9 February 2020 
Concert with Keiji Haino and Russell Haswell