Janet Cardiff & George Bures Miller

04 - 07.2027

Upcoming Exhibition – navate

Curated by Fiammetta Griccioli and Vicente Todolí

Janet Cardiff & George Bures Miller: the artists

 

Janet Cardiff and George Bures Miller (Ontario, Canada, 1957; Vegreville, Canada, 1960; both live and work in British Columbia) have been working together since 1995 in one of the most compelling and influential artistic partnership in contemporary art.

 

Known for pioneering complex multimedia installations as well as their “audio and video walks,” their practice challenges sensory experience, creating immersive environments in which sound guides vision and observation yields to auditory experience. Skillfully combining sound research, technological experimentation, and spatial awareness, the Canadian duo’s work unfolds into scenarios that are as ambiguous as seductive and emotionally charged.

 

These are environments that invite passage, contact, and listening. Cardiff and Miller’s installations lead the viewer into a distorted reality—suspended between real and virtual, material and spiritual—where perceptions of time and space blur. Intimate and dreamlike worlds, populated by stories and characters drawn from literature, theatrical fiction, and the collective memory of cinema, generate a fantastical dimension—a realm of speaking and listening—that offers a platform for exchange sparking dialogue with others and with one’s own past.

 

An overlapping of personal memories and shared reminiscences emerged in their works, generating interference within the memory, encouraging visitors to reinterpret their own recollections.

 

The exhibition by Janet Cardiff & George Bures Miller at Pirelli HangarBicocca

 

For their first major retrospective in an Italian institution in over two decades, the Navate of Pirelli HangarBicocca will be inhabited by monumental installations alongside more intimate contributions, including historical works and new pieces specifically conceived for the exhibition space. Sound environments and surprising interventions will engage visitors in a multisensory, personal, yet alienating encounter.

Janet Cardiff and George Bures Miller have been the subject of numerous major solo exhibitions at institutions including

  • Bienal Anozero — Convento de Santa Clara-a-Nova, Coimbra, Portugal (2025)
  • Museum Tinguely, Basel, Switzerland (2023)
  • Lehmbruck Museum, Duisburg, Germany (2022)
  • Museo de Arte Contemporáneo de Monterrey, Mexico (2019)
  • 21st Century Museum of Contemporary Art, Kanazawa, Japan (2017)
  • ARoS Aarhus Kunstmuseum, Denmark (2015)
  • Museo Nacional Centro de Arte Reina Sofía, Madrid (2014)
  • Vancouver Art Gallery, Canada (2014)
  • Museum of Contemporary Art San Diego (2013)
  • Art Gallery of Ontario, Toronto (2013)
  • Haus der Kunst, Munich (2012)
  • MoMA PS1, New York (2012)
  • Museu d’Art Contemporani de Barcelona (2007)
  • Institut Mathildenhöhe Darmstadt, Germany (2007)
  • Louisiana Museum for Moderne Kunst, Humlebæk, Denmark (2006)
  • Kunsthaus Bregenz, Austria (2005)
  • Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Turin (2003)

 

Their work has also been included in numerous international group exhibitions and biennials, such as

  • The Museum of Modern Art, New York (2019)
  • National Museum of Art, Osaka (2018)
  • Istanbul Biennial
  • National Gallery, London (2015)
  • Fondazione Prada, Venice
  • Fondazione Sandretto Re Rebaudengo, Turin (2014)
  • Biennale of Sydney (2014, 2008, 2002)
  • documenta, Kassel
  • ZKM, Karlsruhe (2012)
  • Venice Biennale (2001)

 

They have received numerous prestigious awards, including

  • Honorary Doctorate from the Ontario College of Art and Design, Toronto (2024)
  • Nova Scotia School of Art and Design (2021)
  • Wilhelm Lehmbruck Prize (2020)
  • Käthe Kollwitz Prize (2011)
  • Gershon Iskowitz Prize (2003)

 

Special Award of the Venice Biennale and the Benesse Prize (2001) — for Paradise Institute, the work with which they represented Canada at the 49th Venice Biennale in 2001